 Nota Introdutória |
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| | · Communication and art
Pires, Helena; Mota-Ribeiro, Silvana; Beyaert-Geslin, Anne
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| Artigos Temáticos |
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| | · The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions
Passos, Mateus Yuri
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| | · Dance and mediality: for an ontological and ethical discussion of the performative body
Barros, Né
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| | · Monsters, machines and popcorn: theatre of the oppressed and street protest
Barbosa, Inês; Ferreira, Fernando Ilídio
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| | · House on Fire: a political and collaborative art case
Mora, Teresa
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| | · Pathways of analysis on costume in Portuguese ethnofiction films
Cucinotta, Caterina
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| | · Violent objects: the forms of pathos in Yael Martinez, Glenna Gordon and Eugênio Grosso's compositions
Casadei, Eliza Bachega; Duccini, Mariana
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| | · On the “Garden of Delights” as a model of analysis of the intercultural communication processes
Macedo, Lurdes
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| | · Binding logics in art
Pinto, Sílvia; Martins, Moisés de Lemos
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| | · Media, art and technology: a contemporary reflection
Lopes, Fernando Augusto Silva
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| | · Between music and technology: existence and functioning conditions of the Brazilian phonographic industry in the 21st century
Wainer, Daniel Ferreira
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| | · Communication of art via open research: on cultural policies, heritage and reception of innovation in art
Andrade, Pedro
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| | · From communication to art: McDonald's and flat design
Chatenet, Ludovic; Beyaert-Geslin, Anne
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| Leituras |
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| | · Alves, L. F. (Ed.) (2016). Fotografias em obras de Eduardo Souto de Moura. Matosinhos: Scopio Editions
Rodrigues, Anabela Veloso
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All the contents of this journal, except where otherwise noted, is licensed under a Creative Commons Attribution License
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